THE TENOR AARON SHEEHAN, brought shining quality and deep sensitivity to the title role (Orfeo).
Boston Musical Intelligencer - June 2015 George Harper
“(Aaron) Sheehan’s Orfeo was earnest and meltingly sung.”
Anthony Pryer - BBC Music Magazine August 2015
“THE TENOR AARON SHEEHAN, who sings the role of Orpheus, a finely nuanced interpretation.”
Gramaphone Magazine 2014
"The tittle role, though, is a gift for a high tenor. It is gloriously sung here by Aaron Sheehan, in a stylish, intense performance."
The Guardian-2014
“TENOR AARON SHEEHAN…His elegantly arched, supple phrasing caressed every word of the text, and his timbre revealed the luxury of Italianate warmth, notably in his upper range.”
San Diego Story 2014
“FEATURING TENOR AARON SHEEHAN in an impeccable performance!”
San Francisco Classical Voice 2013
“As Orfeo, Aaron Sheehan sang the role of a lifetime. Sheehan set a standard for exposed, emotional singing.”
Berkshire Review 2012
“Stubbs and O'dette found in the young Aaron Sheehan an Actéon, who has a perfect command of the French baroque declamatory style and displays a top range which is light as feathers and pure of line.”
OpernWelt 2011
“Aaron Sheehan's attractive strong tenor and fluid acting style made him a sympathetic Acis.”
New York Times April 2011
“Aaron Sheehan has a convincing vocal presence as a lusty young man.”
International Record Review March 2011
“Aaron Sheehan's youthful, high-tenor Actéon sounds sweeter and … virile.”
The Classical Review Febuary 2011
“As Actéon, Aaron Sheehan is utterly compelling, whether swooning over Teresa Wakim's imperious Diano or emitting disturbing howls during his metamorphosis. ”
The Guardian January 2011
“Polished, lovely tone of tenor Aaron Sheehan.”
Washington Post, Jan 2010 “
“Sinuous, and Supple”
Opera News,2010
“Aaron Sheehan made a fine impression with his bright, flexible tenor as Liberto.”
The Berkshire Review For The Arts, June 2009
“The indispensable early music tenor, Aaron Sheehan.”
American Record Guide Dec. 2009
“He boasts a handsome tenor and throws all his energy and all his gangly limbs into the role of the love-struck youth.”
